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The film "Pleasantville" by "Gary Ross" and the texts, "Hither Dear Child" by "Hugh McKay", "The Door" by "Miroslav Holub" and "Sky High" by "Hannah Robert" all are linked by their relevance to the topic of "Changing Self" which is both directly and indirectly explored in each.
Changing Self is focused on the clear difference between the starting and ending position. This should be able to be identified easily. In the texts we see a gradual change where we can identify several clear differences between the personalities at the beginning as apposed to the end. The changing self is that change in routine, personality or life in general. There is no positive or negative connotations associated with it, so the change in self could either be detrimental or beneficial for the person. The main factor is if the person has experienced a change from one point to another, much like a contrast from start to finish.
During "Pleasantville", the main character David is a prime example of the Changing Self as he goes through the journey of discovery. Starting off by Denying the changes, then realization of the potential of the different lifestyle, and then Acceptance of the inevitable changes. The changes in David are visible through the many close-ups the camera makes on the main character, showing and emphasizing his facial expressions. You can see joy in his face as the change starts to make a difference on his life. David's journey from his lonely, nerdish life into a life of controversy and leadership is impacted significantly by music. In many key scenes of great change there is music playing in the background to set the mood. This music gives the emotion of discovery, which fits the plotline well. Minor changes in the character's personality are greatly impacted by the Dialogue. David, in the beginning of the movie seems to be holding back a little bit. He doesn't have enough confidence in what he is saying. "I mean I know you--everybody knows you...I just dont know you...technically" In the courtroom scene we see a great contrast to David's original personality. David has become a confident role model, standing up for what he believes to be right through a profound speech. "But see thats just the point. It cant stop at once. Because its in you. And you cant stop something thats inside you". The biggest difference, however, is that vivid colours that are introduced throughout the film. As David becomes Bud we see the endless, dull black and white in "Pleasantville". But as people start to unleash their emotions we are subjected to this bright and vibrant world. David's change from black and white to colour is a significant one in that it symbolizes the birth of a new life.
There are biblical references in the film as the director has captured a scene in which David is tempted into eating an apple, reminiscent of the story of Adam and Eve. This scene is so significant that it is used as a flashback later in the movie. "A deluge doesnt just happen. Bolts of lightning dont just happen." It pinpoints the exact moment that David embraces the change and decides to be the leader of the coloured people. In key scenes, such as the Soda Shop scene, David's facial expressions show his gradual change from his old self. Back in David's world he would conceal his feelings, even slight facial ones. David would try to cover up any signs of imperfections in his life. He rejects reality by envying and obsessing over the perfect world of "Pleasantville", knowing everything that goes on. Right behind you father. As David begins to embrace his life in "Pleasantville", embracing the changes he starts to let his emotions out. We see this subtle change in his facial expressions. We sense a tone of anticipation. The silence that is used adds suspense to his expressions, building up the significance of what he is about to say. "Um... Well...There are some places where the road doesnt go in a circle. There are some places where it keeps on going."
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Bill is another character that undergoes a dramatic change in personality. In the beginning of the film Bill is portrayed as a very boring, depressed sort of character by the choice of monotone sort of voice he speaks in. The lighting is rather dull when focused on him; giving the indication his life is a dull and uneventful one. He is always filmed in the same place, the Soda shop. Always wearing the same clothes. However as his surroundings change, such as a different place or the introduction of colours, so does his actions and thoughts. He becomes more in touch with his emotions, which he before was not allowed to show. The changes around him compliment his changing self. As Bill is discovering new things, such as the Art Book, we see a series of techniques that impact his process of change. The first is the camera work, which zooms right in on Bill's face. Portraying him as the focal point in this journey of self-discovery. The second is the facial expressions we see on Bill's face as he is indulging in these pictures. His facial expressions seem to portray feelings of wonder, amazement and an awestruck stare. Bill's inner child is being released in a splurge of creative enjoyment. The third technique is that same music we hear as David starts to change. We get the feeling of discovery and wonderment, somewhat childlike in amazement. The use of vibrant colours on and around Bill is significant due to his love for colours. Bill is quick to fall in love with colours but is saddened and depressed because of the fact that He'll never be able to see colours like that. "Where am I going to see colors like that?".
The camera zooms in on his face, showing a slight and subtle hint of deep sadness. However as the film progresses Bill undergoes changes in his personality impacted greatly by music and colour. When Bill is creating his masterpieces he only ever uses a wide range colours. When Bill creates his giant Mural of the town's history, the camera does a series of sequence shots, showing various parts of the mural, which portray different times during "Pleasantville's" history. Showing the changes that were being experienced by the town. It pans across the mural taking in all its glory while playing that same, familiar music of discovery. These uses of vibrant colours, panning camera angles and extravagant music contrast Bill's life prior to the change. He went from being dull and unexciting to vibrant and passionate all from being able to unleash his emotions and changing. "...I dont know what Id do if I couldnt paint anymore Bud. I just dont know what Id do..."
David and Bill both go through a visible process of change. Their lives transform from boring and uneventful into exciting and meaningful. The audience sees what they were originally like, their process of change and what their lives are like after the changes. The Changing Self is evident through these character's lives.
Hither Dear Child" has a rather structured style with but has a direct purpose to persuade. The composer voices his opinions through his well-structured argument. At times it becomes apparent that the author obviously feels strongly about this topic. He uses emotive language, with words such as "amazing" and "joy" to emphasize his strong feelings towards the creativity of children and how we ought to think like that. As the composer continues into the article it becomes apparent that he is talking about the changing self. Comparisons are frequently made between the joys of childhood and the burdens of adulthood. "We become self-conscious and in the process, stifle our spontaneity, our creativity and our imagination". The author also uses many rhetorical questions with a tone of annoyance, as if he is questioning directly why we have to follow into this mould society places on us. As if he resents having to become a grown up and having to deal with the burdens of adulthood. "Can't we lighten up? Can't we unbend? (Can't we learn from our children)". This shows the significance of the change that has happened over time, as if he is restricted from being creative and innocent. As if, over time, you must lose all forms of creativity and enjoyment you once had and fit the mould society places on you.
Throughout "The Door" we see an extended metaphor being used. The phrase of "Go open the door" is emphasized in significance by the authors use of repetition, choosing to begin each stanza with the line. However the actual act of opening the door is a metaphor for actually making a change, creating opportunities. By opening up the door you open up a world of endless possibilities. This is emphasized by the word "maybe" which gives the feeling that anything could happen. It gives us the understanding that anything is possible. However it doesn't portray change as perfect. The author showed that change may have it problems, however they will be solved. "If there's a fog it will clear". The composer is so focused on that action of making a change, changing from the original boring life to a world of possibilities. She show's this through the line saying, "even if nothing is there, go and open the door. At least there'll be a draught". It's as if the composer is deeply expressing feelings of frustration with that line. Showing just how much she values change, that it must be done even if there are no clear effects.
Sky High" is another piece that portrays a contrast between the beginning and ending, childhood and adulthood. The author portrays childhood as a wondrous experience, full of joy and excitement. "I bask in the sun in my exalted position, almost sky-high, feeling as frilly and nearly as pink as the bathers I am wearing". However as age starts to creep up on the character we see a definite change in her thoughts of the world, clearly showing that change in self. "My hands, beginning to accumulate the line-etched story of life in scars and wrinkles, easily touch the sagging wires". Age has put restrictions on her life, and all she has to look at now are memories. "There are too many things tying me to the ground". The author portrays a complete turn around in attitudes from childhood to adulthood.
During the film and three texts it is clear to see the process of changing self. In "Pleasantville" David's change from being a lonely person that keeps his feelings to himself to a leader that stands up for what's right is evident. Bill changes from being a depressed, unexciting person into a passionate and kind person. In "Hither Dear Child" a clear difference between childhood's joys of creativity is contrasted to adulthood's burdens of maturity. "The Door" shows a life with no change at all (having the door closed) and a life of endless possibilities (Opening the door). During "Sky High" the difference between the excitement and innocence of childhood is contrasted with the responsibilities and physical restrictions of old age. All pieces use different techniques to reveal the same concept of "Changing Self".
Changing Self, With Reference to Pleasantville, Hither Dear Child, The Door and Sky High
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